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Andrew Scott feels the Pressure as ‘unsung hero’ in WW2 thriller

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James Y. Falcon
James Y. Falconhttps://scribbledpage.com
James Y. Falcon is a digital journalist and long-form content strategist covering global sports, entertainment, education, and trending world affairs. With a strong focus on search-driven news and audience behavior, his work blends real-time trend analysis with clear, contextual reporting. James specializes in breaking down fast-moving topics—ranging from international football and franchise cricket to exam updates and pop-culture shifts—into accurate, reader-friendly narratives. His articles are designed to help readers understand not just what is happening, but why it matters in a rapidly changing digital landscape. When not tracking global trends or analyzing search data, James focuses on refining long-form journalism for modern platforms, with an emphasis on clarity, credibility, and reader trust.

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Stagg isn’t a traditional war hero, something Scott clearly relished sinking his acting teeth into.

“I really enjoyed the way that Stagg was not interested in ingratiating himself with anybody,” he told The MediaCulture correspondent David Sillito, calling him “a real fish out of water in this situation”.

The actor’s other starring roles couldn’t be more different, including romantic fantasy film All of Us Strangers, for which he was nominated for a Golden Globe, plus his memorable “hot priest” in TV’s Fleabag and the menacing Jim Moriarty in Sherlock, for which he won a Bafta. His award-winning stage roles include Vanya and Present Laughter.

In Pressure, Stagg is thrown into a high-stakes furnace of egos. He has to work with a team of meteorologists who robustly and publicly disagree with each other.

Stagg “wasn’t a particularly garrulous character” Scott says, which is partly why he was perhaps an unlikely hero.

“So many of the heroes in our own lives don’t have that majorswashbuckling moment,” he says.

“And you know, a hero comes in all different shapes and sizes.

“I tried not to be afraid of the fact that perhaps, at the beginning, the audience might be like, ‘Who is this guy?’ And hopefully by the end we understand his motivations and his inner workings.”

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